At PULP we love
LITERATURE!
2025
“Just one insecure species trying to get an A+ at intergalactic show and tell. For as long as we can remember we’ve been left home alone and God we just wish our neighbours would drop by with some food and a hug.”
“Spots signify a pure kind of repulsive nothing [ ]. Possessing a type of purity that cannot be subsumed by any desire.”
“Last night I occupied the bathroom and its blue fluorescence, soaking it up like a greedy phantom. My reflection taunted me in this harsh light.”
“Sometimes I wish I had a million followers. I want people to listen to the songs I post. To think about the lyrics and how they might relate to me. Relate to me!!! So I can figure out who I am.”
“Even this eternity will meet its end, and the world shall wait For another, and another, and another. The end is forever.”
“Etched in the fading hues and worn paths of ancient roads,
Marking the passage to memory's embrace.”
Obviously
And also you can’t read minds
As in I caught you!
And your psychic violence
Although I gave you these powers too
Your actual ones are far richer
“The answer is you and I, it always is. In that sea of dust, there was nothing. Quiet, not a wave, not a sound. In that flat endless world, a soft and gentle breeze started to blow.”
Somehow, by some act of God or the Devil or someone between, his dog has been transfigured into a block of cheese.
We seem to think that our place on the spectrum between divinity and mayhem comes down to how loved we are.
One by one, friends gloved their hands and got to work; my ridged, lumpy canvas morphing and shifting, follicles taking on new forms every fortnight.
people watching. i peer ruthlessly from behind my darkened eyes. observing and absorbing like film.
Scholars of the Global North sometimes shelter themselves in neo-colonial positions when confronted with revolutionary praxis.
“Something in a fragile state always seems more beautiful because you realise that they might not be there tomorrow.”
Dear [REDACTED],
I want to apologise for the scene that I made at The Rose last Friday.
I am writing this letter at the recommendation of Dr Celine Bertuch (my Freudian psychoanalyst).
For the past week, I’ve had a recurring dream where I find you alone in the Quad General Lecture Theatre (K2.05). Only, when I sit beside you, the scenery changes – the wooden pews turn into the firm, purple leather seats of a V Set Intercity Train. You turn to speak, but when you do, your voice is Dr Bertuch’s (she finds this detail quite fascinating).
“after a week helen declared that the lessons would conclude, and she drove off to meet her friends in an abandoned parking lot. womanhood”
“So I’m there, walking around with L0V3 D0ll and she’s wearing these awfully tight shoes and she tells me it’s so she can always remember her bondage or whatever. Some sexbot thing, I thought. They must know she wants to be a model.”
“I want to look as beautiful as my casket.
I want to live forever and be afraid of everything.
Life is so good and it’s only going to get worse.
And in dreams, I don’t have to tuck my wings inside my dress.
There are angels sitting next to you in the train,
Yet to earn their halo, yet to enter heaven.”
“The play symbol bulges stupidly before the sub-saharan beauty of your jungle. Is heaven nothing but a blank slate? THE END. Play again? What’s wrong? Why are you crying? Here is a gift, do not dwell. Here, a new environment. Let me lead you to a new life. You can always begin again.”
“I wipe it with my other hand to take a deeper look, but it leaves a smear of sheer colour. It looks almost brown. I can feel my eyebrows knit in confusion. I pull my hand to my nose to smell the strange mystery liquid. It smells sweet with a touch of copper.”
“This intensity that morphed into a sense of overwhelm so consuming I felt that nothing could be funnelled into a singular actuality. I let that feeling — whatever it was, consume me.”
“I think of her sometimes, on nights like this, when my shirt is low and the wind kisses my chest as greedy eyes stare. They don’t know there is nothing there anymore. I ate her years ago, splitting the tough skin with my front teeth to reach the fruit inside. But tonight, here, with the moon hiding behind low, yellow clouds, Beautiful Girl walks with me.”
“When he slept, I chiseled out a keyhole
in his back to peek inside the crushed
velvet cavity, the bone cage of a person
who did not: a traveling ball of saliva,
surging breaths, simmering bile.”
I’m Eminem’s real daughter. I’m gonna join a cult if I can find one. I’m googling ‘how to survive sexuality’ like Lohanthony. I’m doing subliminals to you
2024
2023
I wonder whether she’s praying, or meditating, and whether she’s prone to impatience, but the 01:01 train arrives before I work it out. It takes four minutes to depart; four minutes to expose the translucent creature perched in her place.
Coming off antidepressants has been comparable to ‘coming off’ Mum, which I have been doing concurrently.
Saunders waded even deeper. This time he floated on his stomach, observing through the transparent pool floor a flock of people who were most likely unaware that he was their omniscient god.
In her novels and private correspondence, the gap was narrowed. What was human became animal and what was animal became human.
Today Milan Kundera died; and forty years ago, a different student entered his world of middle-aged fever-dreams.
As hard as I try to remember, from no part of my being can I summon a reason for me being here.
I am just another pothole, // Feeling the weight of // That other invisible world // As it passes over me
I am fascinated by a specific benefit AIs have for literature which, unlike in chess, is not harnessed enough.
It’s 5.30am. You and the rest of the inter-B’s netball team are huddled on a coach in the dark.
My beloved has gifted us this water of life / This ocean which has the power to create or destroy / Yet in it we blindly place our trust
"I realised that in order to find time to think and a view of what felt like the whole world, I had to be uncomfortable."
2022
Sometimes we cling to theories of global orders and forget these theories don’t always lead where they should.
The process of collective reading is a stark contrast to how we often conceive of reading as a solitary act
This body of work is my personal visual haiku (俳句) to invite viewers to pause and perceive moments of beauty that are impermanent and imperfect.
Lien skilfully crafts a poignant and gripping crime novel, although it feels reductive to refer to it as one.
Jayne Tuttle’s My Sweet Guillotine was an enjoyable, easy read about love and French culture. But don’t expect much more than that.
Christina Stead, novelist, Marxist, and Sydneysider, has been allowed to fade into partial canonical obscurity, in part due to failures to Americanise her unequivocally Australian work.