Fawn
Literature Sonal Kamble Literature Sonal Kamble

Fawn

I dream of a deer drowsing, just like me, supine on the side of the road. I don’t know how I know it’s a deer because the figure in the vegetation has no head, but I wait to glimpse the curve of antlers.

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Literature Ege Yurdakul Literature Ege Yurdakul

11 November 2023

In my memories, we’re still just clueless children climbing water towers, alcohol running in our blood, watching the forest from above, under the summer sun.

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How to be known
Literature Scout Harper May Literature Scout Harper May

How to be known

A brown glass decanter, bound in red leather. A sleeping pill bottle, unscrewed. A yellow pitcher. An empty toothpaste tube, A lightbulb, illuminated by cool fluorescence. 

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Confessions with Caroline
Literature Allegra Pezzullo Literature Allegra Pezzullo

Confessions with Caroline

She left in a flutter of perfume, cashmere, and the faint clatter of keys. The diffuser exhaled one last measured sigh of peppermint. Dr Clarke capped the pen, glanced at the clock, and opened the next file.

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LIMERENT LIGHT CONES
Literature Jesse Carpenter Literature Jesse Carpenter

LIMERENT LIGHT CONES

O my faun my hunter you are the soul of the whole room yes there is something in you in the curves of your cheekbones and the strands of hair; in pearlescent earrings, in the corners of your face in you, you are the edelweiss on the acme of Qaf or Meru

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Man And A Woman
Literature Allegra Pezzullo Literature Allegra Pezzullo

Man And A Woman

He pictured the half-chewed bread inside her mouth, pulp dissolving with saliva. He thought of her body as porous, dissolving, leaking: the reminder that borders between inside and outside were never clean.

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Return To Sender
Literature Alexandra Dent Literature Alexandra Dent

Return To Sender

Dear [REDACTED], 

I want to apologise for the scene that I made at The Rose last Friday.   

I am writing this letter at the recommendation of Dr Celine Bertuch (my Freudian psychoanalyst).  

For the past week, I’ve had a recurring dream where I find you alone in the Quad General Lecture Theatre (K2.05). Only, when I sit beside you, the scenery changes – the wooden pews turn into the firm, purple leather seats of a V Set Intercity Train. You turn to speak, but when you do, your voice is Dr Bertuch’s (she finds this detail quite fascinating).

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