EMBODIED DISSENT
Police State necessitates a reciprocal exchange between the viewer and the performer, which Walter Benjamin defined as “aura”: the integral essence of an original work that fades in reproduction.
i bare it all yet still they do not see
Slow craft challenges obsession with productivity targets and overconsumption. The work does not begin with the embroidering of the fabric but instead the preparation of a range of vegetables which are slowly processed into homemade fabric dyes.
Unravel Me.
The constraints of tangibility truly plague my waking days. Holding hands is not enough, being in the same bed is not enough, lying on top of me with your full weight is nice, but not enough.
Love letters to the Adriatic
The collages can be read as love letters to the Adriatic, the sole force shielding the central Dalmatian archipelago from immediate destruction for centuries. In the ocean one finds freedom and eternity, a feeling I hope to encapsulate.
Memory: A Practical Guide
Find a stimulus, or rather let it find you.
Be transported through space and time, find yourself in that moment again.
Linger in it for a minute more.
Get Inmimind!
What emerges are abstract compositions shaped by rhythm, melody, and emotion. These sketches outline the space between hearing and feeling.
On The Run
spark that inspiration in me again, yeah?
wherever you are, read this letter
and come home to me.
Face to Face: Portrait Exchange in Conversation
The event carves out a rare space where presence precedes performance, and where the gaze becomes a means of mutual recognition.
Choose Your Own Dream
“I was falling endlessly…when I landed in a jumping castle…Liam Gallagher was there and he told me to take my shoes off…but I wasn’t wearing any shoes…”
누구의 기억 (Second Exposure)
“In dreams, memories rarely return in their original form—they dissolve, blur, skip frames,
and reassemble.”
A modern day love language
“It’s a modern day love language… A series of seemingly unrelated things joined together by the fact that they are all literally us.”
type.xlsx
“Cell widths shift and distort. The glyphs become increasingly abstract, teetering on the edge of recognition and chaos. This builds on the principle of CAPTCHA. While a bot struggles to decipher distorted letters, we — adept at interpreting characters across diverse fonts and handwriting styles — can navigate and decode them within irregular and unfamiliar contexts.”
IN THE ENTRAILS OF THE PRETTY MACHINE
“So I’m there, walking around with L0V3 D0ll and she’s wearing these awfully tight shoes and she tells me it’s so she can always remember her bondage or whatever. Some sexbot thing, I thought. They must know she wants to be a model.”