“It’s a modern day love language… A series of seemingly unrelated things joined together by the fact that they are all literally us.”
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“Cell widths shift and distort. The glyphs become increasingly abstract, teetering on the edge of recognition and chaos. This builds on the principle of CAPTCHA. While a bot struggles to decipher distorted letters, we — adept at interpreting characters across diverse fonts and handwriting styles — can navigate and decode them within irregular and unfamiliar contexts.”
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“So I’m there, walking around with L0V3 D0ll and she’s wearing these awfully tight shoes and she tells me it’s so she can always remember her bondage or whatever. Some sexbot thing, I thought. They must know she wants to be a model.”
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“The fight for Palestine is a fight that everyone must be involved in — the fight against war and imperialism is a fight for a better world for all of us.”
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“Drawing skeletons on things that should not have skeletons on them has been a mainstay of mine for more than five years now”
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“Parasites lead to heightened immune activity, making the body more capable of dealing with other invaders like pollen and bacteria. This idea parallels how, despite their destructive power, emotions can catalyse resilience and enlightenment.”
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“With each ink roll, I think of those wronged by the police system. With each carving, I think of those lost in the grips of the police system. The police force needs to be defunded, dismantled, and abolished. No justice, no peace.”
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“Through drawing, this emphasis is placed on the physical labor and materiality involved in archiving digital sensibilities. An intention to elevate elements often dismissed as ‘low-brow art’ — such as text
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The Suit of Armour in the Hotel Lobby at 3PM is a graphite and charcoal drawing inspired by an NPC in a friend’s D&D campaign. The suit has been designed for a small frog named Ted Lick.
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“When we - the dispossessed - the faithful -
Who have been barred out of sacred places
Will be seated on high cushions
When the crowns will be tossed,
When the thrones will be brought down.”
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External influences, memories, and interactions are central to the formation of identity, continuously shaping the self. In this series, I scanned various elements — my own self, calligraphy, and found graffiti/visuals — and superimposed them to create a layered composition, reflecting identity as a performative construct that is not fixed, but always in flux.
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“There is a visual dissonance in this piece; amongst the pandemonium lies quiet order.”
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“I’m never aware of the full picture, only vague figures, shapes, and colours remain. Countless moments pass by me, blurring and distorting themselves from realistic form.”
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“With each card played, the hands dealt are stained with blood.”
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“With our fingers progressively morphing into letter keys with every digital exchange encountered, there is also an opportunity and a drive to ‘opt out’, play, and discover new ways of approaching traditional formal constructs of design.”
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