Anastasia Dale 5/6/24 Anastasia Dale 5/6/24

Bodies That Matter Backstage

Backstage at Deathwatch, I felt a rearticulation beginning in the vocabularies of everyone there.

Hannah Vlies Lawrence 5/1/24 Hannah Vlies Lawrence 5/1/24

fungus gnats and female masculinity

A love letter in soil-loving solidarity.

Nathan Phillis 6/21/23 Nathan Phillis 6/21/23

SFF 2023 REVIEW: Sunflower

Set in the outer suburbs of Melbourne, this film acts as an enticing representation and characterisation of coming out in a society where homophobia has become socialised.

Imogen Sabey 6/21/23 Imogen Sabey 6/21/23

SFF 2023 REVIEW: Blue Jean

Oakley’s directing is subtle and effective, with clever use of sound and lighting to contrast the two major settings at Jean’s school and the nightclub, which are the symbolic fronts of the heteronormative and queer environments that she arbitrates between.

Kumiko Delaney 4/19/23 Kumiko Delaney 4/19/23

Forbidden Fruit

This installation is also a showcase of my appreciation for my two cultures as well as the difficulties I have avoided as a queer woman by growing up in Australia.

Estelle Yoon 2/23/23 Estelle Yoon 2/23/23

'Mollah' and 'It's Myself that I Crave'

Self portraitures express our creative and romantic partnership and journey and the way it mingles with our identities as queer and POC couple.

Estelle Yoon 11/16/22 Estelle Yoon 11/16/22

They/She

In a world where labels and definitions equal success, 'They/She' visually portrays the undefinable through the lyrical limbs of the model, Archer Rose, in 35mm film format.

Estelle Yoon 9/12/22 Estelle Yoon 9/12/22

Ma 間

This body of work is my personal visual haiku (俳句) to invite viewers to pause and perceive moments of beauty that are impermanent and imperfect.

Deaundre Espejo 8/21/22 Deaundre Espejo 8/21/22

The white void

A queer and Black history of white background music videos.