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SUDS Slot 4, 2024: Deathwatch, a review

Whilst these adaptations are perfectly fine, there’s an anachronism that can accompany any production put to stage from another era. There’s merit in rote for rote recreations, but I will always prefer a distortion of a classic akin to what Zoe Le Marinel, Jasmine Jenkins, and their team have put to the stage with SUDS Slot 4’s Deathwatch (1947) by Jean Genet.

CampusNathan PhillisMay 1, 2024SUDS, play review, review

'Troy's House' (2023) SUDS: Review

The liminal area between teendom and adulthood, between Sydney and Melbourne, between friends and enemies, between ad breaks. Everything that happens within is transitional and temporary: “all we do [at Troy’s house] is recount the last event and talk about the next one.”

CampusLong HuynhNovember 8, 2023SUDS, review, play review, troy's house