Tom Martin 5/21/24 Tom Martin 5/21/24

Praying Hill

“The Corsicans want to see clearly. Freedom must walk by the torch of philosophy. Won't they say that we fear the light?"

Kadie Dao 5/18/24 Kadie Dao 5/18/24

REVERIE collection 001

Curiouser and curiouser… the Maries wander into a world of romance, frolic, and absurdity.

Simon Harris 5/11/24 Simon Harris 5/11/24

Greyness

Greyness is everywhere. Greyness is both vernacular and pedigreed.

Anastasia Dale 5/6/24 Anastasia Dale 5/6/24

Bodies That Matter Backstage

Backstage at Deathwatch, I felt a rearticulation beginning in the vocabularies of everyone there.

Lizzy Kwok 5/2/24 Lizzy Kwok 5/2/24

What we cannot see, the camera can

Our eyes can only see so much, and they see cities very poorly.

Josh Hicks 5/1/24 Josh Hicks 5/1/24

SOPHIE’s Reinvention of Hyper-pop

She is a breeze of fresh air in industry, but her eclectic and abnormal production continues to divide her from mainstream structured pop music.

Jacob Murray 5/1/24 Jacob Murray 5/1/24

Man, Dog (?) and Gun.

Somehow, by some act of God or the Devil or someone between, his dog has been transfigured into a block of cheese.

Hannah Vlies Lawrence 5/1/24 Hannah Vlies Lawrence 5/1/24

fungus gnats and female masculinity

A love letter in soil-loving solidarity.

Freja Newman 5/1/24 Freja Newman 5/1/24

The Monster, The Muse

To be in and represent a female body in the early twenty-first century is to explore the beautiful and discarded, and tell one's story through new forms.

China Meldrum 5/1/24 China Meldrum 5/1/24

Do androids dream of a socialist utopia?

If androids come about, what will they do, and I guess, more pertinently to our human future, what will we do?

Cecily McCrann 5/1/24 Cecily McCrann 5/1/24

I’m Stuck in an Incu Change Room and All I Have Is $36 in My Bank Account and a Pinterest Board dedicated to Carolyn Bessette Kennedy

Carolyn Bessette-Kennedy exists in the accolades as an it-girl.

Zoe Hercus 5/1/24 Zoe Hercus 5/1/24

The Future is in Love with the Past

In the mystical worlds of science fiction, the past may be our only tool for understanding the future.

Nathan Phillis 5/1/24 Nathan Phillis 5/1/24

SUDS Slot 4, 2024: Deathwatch, a review

Whilst these adaptations are perfectly fine, there’s an anachronism that can accompany any production put to stage from another era. There’s merit in rote for rote recreations, but I will always prefer a distortion of a classic akin to what Zoe Le Marinel, Jasmine Jenkins, and their team have put to the stage with SUDS Slot 4’s Deathwatch (1947) by Jean Genet.