Freja Newman 5/1/24 Freja Newman 5/1/24

The Monster, The Muse

To be in and represent a female body in the early twenty-first century is to explore the beautiful and discarded, and tell one's story through new forms.

China Meldrum 5/1/24 China Meldrum 5/1/24

Do androids dream of a socialist utopia?

If androids come about, what will they do, and I guess, more pertinently to our human future, what will we do?

Cecily McCrann 5/1/24 Cecily McCrann 5/1/24

I’m Stuck in an Incu Change Room and All I Have Is $36 in My Bank Account and a Pinterest Board dedicated to Carolyn Bessette Kennedy

Carolyn Bessette-Kennedy exists in the accolades as an it-girl.

Zoe Hercus 5/1/24 Zoe Hercus 5/1/24

The Future is in Love with the Past

In the mystical worlds of science fiction, the past may be our only tool for understanding the future.

Nathan Phillis 5/1/24 Nathan Phillis 5/1/24

SUDS Slot 4, 2024: Deathwatch, a review

Whilst these adaptations are perfectly fine, there’s an anachronism that can accompany any production put to stage from another era. There’s merit in rote for rote recreations, but I will always prefer a distortion of a classic akin to what Zoe Le Marinel, Jasmine Jenkins, and their team have put to the stage with SUDS Slot 4’s Deathwatch (1947) by Jean Genet.

Susanna Pang 4/8/24 Susanna Pang 4/8/24

Supermarket Doomstrolling

To be human, is to be a supermarket stroller.

Hannah Vlies Lawrence 4/8/24 Hannah Vlies Lawrence 4/8/24

This collective beinghood

A split requires the relinquishing of self to another and for another.

Fran Williams 4/8/24 Fran Williams 4/8/24

Fran Williams

Achieving strong liminality is like landing a coin on its edge: a difficult feat but the effect is impossible to substitute.

Estelle Yoon 4/8/24 Estelle Yoon 4/8/24

쎄쎄쎄 (sse-sse-sse)

An homage to intergenerational love.

Hugo Hay and Long Huỳnh 4/8/24 Hugo Hay and Long Huỳnh 4/8/24

The A word (Authenticity)

Is your favourite food authentic? Does your favourite restaurant serve authentic food? Could you be authentic food?

Ben Shelley 4/8/24 Ben Shelley 4/8/24

EnPeeSee

Childhood imagination – strangled dead from this codified, mundane and despairing task of appropriating (dressing) ourselves – was revived.

Joan de la Kagsawa 4/8/24 Joan de la Kagsawa 4/8/24

21st Century Epitaph

How happy I would be

To be a prisoner

Of another skin.

Emily O'Brien 4/8/24 Emily O'Brien 4/8/24

CAN SOMEONE PLEASE, GIVE ME A HAND(LE)!

Instagram handles are the new frontier; a form of advertising yourself; an iconic tag; a brand.

Kuyili Karthik 4/8/24 Kuyili Karthik 4/8/24

A Raga's Journey in Satchidananda

Improvisation is the act of conjuring for the instant, an adventure in entropy.

Lola Herath 4/8/24 Lola Herath 4/8/24

Real Emo: A defence of posers in the year 2024

Today, winged eyeliner and black double grommet belts seem enough to constitute belonging, with “goth” and “punk” being thrown around in place of “emo”.