Justine Hu 10/10/22 Justine Hu 10/10/22

tomorrow year

Examining the unfamiliar self in familiar places.

Harry Gay 10/10/22 Harry Gay 10/10/22

PROFILE: SHAKE for Honi

For the second time in three years, the role of editorship of USyd’s weekly newspaper Honi Soit has gone uncontested.

Muir McLennan 10/9/22 Muir McLennan 10/9/22

Suburban Alien

A reclamation of restrictive childhood and adolescent environments, 'Suburban Alien' urges viewers to live within their own worlds.

Faye Tang 10/9/22 Faye Tang 10/9/22

Review: Tripping Over Myself — A window into the world of Australian comedy

Micallef narrates his memoir like he’s playing a character on his comedy show.

Grace Lagan 10/7/22 Grace Lagan 10/7/22

Review: SUDS’ Machinal — Modern, disturbing, and absurdly funny

SUDS’ penultimate slot delivers biting social commentary and razor-sharp performances.

Amelie Roediger 10/7/22 Amelie Roediger 10/7/22

Gilgamesh and the Invisible Hand

Sometimes we cling to theories of global orders and forget these theories don’t always lead where they should.

Kat Porritt-Fraser 10/5/22 Kat Porritt-Fraser 10/5/22

bakehouse qtr

how much labelling could make a building built for biscuits in 1908 seamlessly slip into the 2020s?

Simone Maddison 10/5/22 Simone Maddison 10/5/22

Sex? In My City?

Carrie’s inner-city brownstone becomes a two-room inner west studio, and her rent increases so rapidly she must sell out to Newscorp to keep up

Cherie Tse 10/5/22 Cherie Tse 10/5/22

灣仔

Red neon lights in red light districts, The drowning sirens of four am, red

Harry Gay 10/4/22 Harry Gay 10/4/22

EXCLUSIVE! Interview with USU CEO Andrew Mills

I sat huddled in the hallowed halls of the Holme Building, awaiting to be called to his office.

Sylvia Ye 10/4/22 Sylvia Ye 10/4/22

Review: The Liars – A complex thriller invaluable to the end

Despite its fantastical elements, it is embedded in social issues of our time.

Amy Tan 10/4/22 Amy Tan 10/4/22

evergreen

making night envious of our glamour and design

Grace Street 10/4/22 Grace Street 10/4/22

Stray: “I am a cat. As yet, I have no name.”

Stray taps into this unique relationship between cats and humans, one defined by fascination and adoration.

Ariana Haghighi 10/4/22 Ariana Haghighi 10/4/22

“Where’s my legacy gone?”: The chronic misrepresentation of poet Gwen Harwood

In the eyes of the media she was housewife first, poet never.

Patrick McKenzie 10/4/22 Patrick McKenzie 10/4/22

Hey Babe, what are we even here for?

It was an overcast day; a sleepy Sunday morning.

Georgia Mantle 10/4/22 Georgia Mantle 10/4/22

Collective reading and the politics of reading together

The process of collective reading is a stark contrast to how we often conceive of reading as a solitary act

Genevieve Ripard 10/4/22 Genevieve Ripard 10/4/22

Dragonology ego deathology

Before toothless, dungeons, and a dubious NRL team, there were dragons.

Nicola Brayan 10/4/22 Nicola Brayan 10/4/22

Breaking up with the mould in my inner west sharehouse

I didn’t want to break things off in this way. I really didn’t.

Ariana Haghighi, Bonnie Huang, and Patrick McKenzie 10/4/22 Ariana Haghighi, Bonnie Huang, and Patrick McKenzie 10/4/22

The Merivale Monopoly

Merivale possesses a discreet chokehold on Sydney’s hospitality industry.

Claire Hwang 10/4/22 Claire Hwang 10/4/22

‘Reading the room’: Emotions of the Korean New Wave

Eye contact, physical affection and double entendre have collectively formed a shared culture of ‘reading the room’.