type.xlsx
“Cell widths shift and distort. The glyphs become increasingly abstract, teetering on the edge of recognition and chaos. This builds on the principle of CAPTCHA. While a bot struggles to decipher distorted letters, we — adept at interpreting characters across diverse fonts and handwriting styles — can navigate and decode them within irregular and unfamiliar contexts.”
Momento Mori
“Drawing skeletons on things that should not have skeletons on them has been a mainstay of mine for more than five years now”
The Suit of Armour in the Hotel Lobby at 3PM
The Suit of Armour in the Hotel Lobby at 3PM is a graphite and charcoal drawing inspired by an NPC in a friend’s D&D campaign. The suit has been designed for a small frog named Ted Lick.
Hum Dekhenge ہم دیکھیں گے
“When we - the dispossessed - the faithful -
Who have been barred out of sacred places
Will be seated on high cushions
When the crowns will be tossed,
When the thrones will be brought down.”
External influences, memories, and interactions are central to the formation of identity, continuously shaping the self. In this series, I scanned various elements — my own self, calligraphy, and found graffiti/visuals — and superimposed them to create a layered composition, reflecting identity as a performative construct that is not fixed, but always in flux.
Big bird blog (blog)
“With our fingers progressively morphing into letter keys with every digital exchange encountered, there is also an opportunity and a drive to ‘opt out’, play, and discover new ways of approaching traditional formal constructs of design.”
Magritte - Art Gallery of New South Wales
Both eerie and peaceful, the final room is shrouded in a velvety green amongst which his final paintings whisper rumours of Magritte's transformation. At this point, one cannot help but think back to the self-portrait that greeted them, now at odds with the viscerality of The happy donor and Man and the forest.
Isaac Julien's 'Once Again...(Statues Never Die)'
As soon as you enter the space, you find that the dialectic of light and darkness is already at play. Then begins the piano, and notes that echo cavernously, consuming the space. In a haunting, projecting boom, Alice Smith begins vocalizing the words, “once again…”
10 PPI Mulch
“Yet when the pixel becomes distinct, and elementary, it distorts the image, breaking it down to its most rudimentary composition of shapes and colors.”
The Monster, The Muse
To be in and represent a female body in the early twenty-first century is to explore the beautiful and discarded, and tell one's story through new forms.
Fran Williams
Achieving strong liminality is like landing a coin on its edge: a difficult feat but the effect is impossible to substitute.
Small talk with your left-behind
I wonder whether she’s praying, or meditating, and whether she’s prone to impatience, but the 01:01 train arrives before I work it out. It takes four minutes to depart; four minutes to expose the translucent creature perched in her place.
THE PANORAMA REPORT
Your phone is hungry for the world, hungry to consume everything in front of you. Regular images are no longer enough, we must survey, collate, stitch together.
Meaningful Stone Interview
In conversation with Kim Jimin of Meaningful Stone — on 90’s rock bands, surfing and the spiritual power of the universal subconscious.