Music Mia Retallack Music Mia Retallack

The Sound of Sydney: AN ORAL HISTORY OF FBI’S CD LIBRARY

“August 29, 2003. Since 1995, fbi (Free Broadcast Inc) Radio 94.5FM has been broadcast on special occasions, in unlikely places. From an empty shop next to the Clock Hotel in Surry Hills, on milk crates in a caravan in Bondi Beach, or above a suckling pig restaurant on George Street.”

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Reviews Sasha Blackman Reviews Sasha Blackman

Will I Ever Get To Dance at a Venue Without 300 Homophobic Dudes? — PULP’s Sam Alfred Experience

Maybe we’re just living in a different time. After the concert, I reviewed Alfred’s Boiler Room X AVA set, noticing that the majority of the audience at that event were also white dudes with the same low taper fade haircuts and sunglasses. They bobbed their heads ambivalently and attempted to film the majority of the set, unable to just be in the moment. As events like Boiler Room have become increasingly popular, I sometimes wonder — are people coming to these things to have a boogie and support artists? Or are they going to find the validation that they seek?

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Music Lizzy Kwok Music Lizzy Kwok

Finding Faye

“When I listen to Faye yearn for her past/present lover, I can’t help but romanticise the early stages of any relationship; nothing mattered other than surrendering to the feeling.”

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Reviews China Meldrum Reviews China Meldrum

I went to Joy Orbison and all I got was a great sense of joy, good music, and fun times

Walking past the slightly uncanny midnight pickleball league in a mostly asleep Entertainment Quarter, I wondered if anyone else was aware of the musical significance of what was going to happen inside Liberty Hall. Joy Orbison, the London-born and based DJ and producer, was about to play his first show in Australia. I reached Liberty Hall, pretty set in my conviction that there wasn’t a good chance many pickleball players knew about Joy Orbison. I was pleasantly and incredibly surprised

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Reviews, Music Mia Retallack Reviews, Music Mia Retallack

True Nostalgia: PULP goes to salute

At the bottom line, salute rejected the pretension that seems to dominate much commercial dance music (read: the uninspired spoken word poetry of Fred Again). Eschewing these pseudo-philosophies of house heavy hitters, at the heart of TRUE MAGIC is a magical world of nostalgia, joy, and most of all, good old fun. Not only a testament to the varied influences upon salute’s signature sound, but the many influences that shape our first encounters with dance music.

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