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Music and my place in the Cloud
Culture, Music Kuyili Karthik 11/20/23 Culture, Music Kuyili Karthik 11/20/23

Music and my place in the Cloud

Music has always found mysterious ways of permeating borders, from sea-faring music boxes containing fragments of exotic sounds to Soundcloud links proliferated online. 


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The Soundtrack Of My Childhood And Other Songs To Run Over Pedestrians To
Culture Huw Bradshaw 11/12/23 Culture Huw Bradshaw 11/12/23

The Soundtrack Of My Childhood And Other Songs To Run Over Pedestrians To

This song is in GTA IV, I hear across the share-house-party kitchen.

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All the girls love a sweet painted lady
Music Zoe Hercus 10/23/23 Music Zoe Hercus 10/23/23

All the girls love a sweet painted lady

Why my favourite Elton John songs are filled with queer sex and prostitutes.


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Ardhito Pramono on jazz, love, and making music: Touchdown Under at SXSW Sydney
Music, Culture Lameah Nayeem 10/20/23 Music, Culture Lameah Nayeem 10/20/23

Ardhito Pramono on jazz, love, and making music: Touchdown Under at SXSW Sydney

“Every time I listen to music, I always get a vision of what the music video will look like, you know? [When] I make my own music, I always have ideas of how the atmosphere or vibes of the song could be extended by the visuals itself.”

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SFF 2023 REVIEW: Kim's Video — “A lot of things used to be here, and now they are not”
Film Alexandra Dent 6/18/23 Film Alexandra Dent 6/18/23

SFF 2023 REVIEW: Kim's Video — “A lot of things used to be here, and now they are not”

Redmon and Sabin masterfully balance gravity and levity in what might be the funniest documentary I have ever seen.

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Saigon Surf: a genre lost & found
Music Anh Noel 6/7/23 Music Anh Noel 6/7/23

Saigon Surf: a genre lost & found

Nothing is ever truly final, and much like music, is forever-changing again and again

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This will get bigger (if you know what I mean)
Comedy Simone Maddison 4/19/23 Comedy Simone Maddison 4/19/23

This will get bigger (if you know what I mean)

What I have described has been, in many ways, a coming-of-age. Or perhaps more appropriately, my ‘cumming-of-age’.

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PULP is published on the sovereign land of the Gadigal People of the Eora Nation. We pay our respects to Elders past and present, as well as Indigenous members of our creative community. We respect the knowledge and customs that traditional Elders and Aboriginal people have passed down from generation to generation. We acknowledge the historical and continued violence and dispossession against First Nations peoples. Australia’s many institutions, including the University itself, are founded on this very same violence and dispossession. As editors, we will always stand in solidarity with First Nations efforts towards decolonisation and that solidarity will be reflected in the substance and practice of this magazine.

Sovereignty was never ceded. Always was and always will be Aboriginal land.

Copyright PULP 2025