The liminal area between teendom and adulthood, between Sydney and Melbourne, between friends and enemies, between ad breaks. Everything that happens within is transitional and temporary: “all we do [at Troy’s house] is recount the last event and talk about the next one.”

A sensory aigís, expect an odyssey of emotion, talent and stagecraft.

Play On, written and directed by Gemma Hudson, is an ambitious and exciting cross of And Then There Were None with Heathers.

Brilliantly adapted by directors Kieran Casey and Charlie Papps, the production offers a night of gut-wrenching laughter and meta-theatrical analysis in their double (O’) bill of two modern absurdist classics

Binary opposites become whole in SUDS’ vibrant reimagining of the play, and though its discussions of  thermodynamics, aesthetics, and sex may at first seem arbitrary, they have profound intention. 

Danial Yazdani’s adaptation of the American classic honours the complexities of Australian immigrant experiences.

From tea room to bomb shelter to jazz bar.

Crackling with the electricity of theatre, Heat Lightning captures characters grappling with economic hardship and emotional unrest.

Fun, fantastical, and hot off the press, StuJo! The Musical serves up a loving tribute to all things campus journalism.

Off-Offstage is structured as a variety show, featuring monologues, group performances, and songs performed by its motley cast of SUDS members who have (presumably) suffered through the epic highs and lows of HSC Drama themselves.