Paintings, photographs and sculptures are scattered throughout campus, sitting on walls and perched in unassuming corners.

i aim to be discerning, use my camera like a scalpel capture the city; full of life, love, and clarity.

During their nightly walks she makes their personalities and the landscape come to life.

After all, are we all good or just another Jason Vorhees?

Untitled (2022)

From Jaghori to unceded Gadigal lands, Azadi speaks to resilience and juxtaposition.

Examining the unfamiliar self in familiar places.

how much labelling could make a building built for biscuits in 1908 seamlessly slip into the 2020s?

This body of work is my personal visual haiku (俳句) to invite viewers to pause and perceive moments of beauty that are impermanent and imperfect.