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Review: Tripping Over Myself — A window into the world of Australian comedy
Literature Faye Tang 10/9/22 Literature Faye Tang 10/9/22

Review: Tripping Over Myself — A window into the world of Australian comedy

Micallef narrates his memoir like he’s playing a character on his comedy show.

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Review: The Liars – A complex thriller invaluable to the end
Literature Sylvia Ye 10/4/22 Literature Sylvia Ye 10/4/22

Review: The Liars – A complex thriller invaluable to the end

Despite its fantastical elements, it is embedded in social issues of our time.

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“Where’s my legacy gone?”: The chronic misrepresentation of poet Gwen Harwood
Literature Ariana Haghighi 10/4/22 Literature Ariana Haghighi 10/4/22

“Where’s my legacy gone?”: The chronic misrepresentation of poet Gwen Harwood

In the eyes of the media she was housewife first, poet never.

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Review: All That's Left Unsaid — A delicate intertwining of nostalgia and the reality of loss
Literature Alexandra Dent 9/12/22 Literature Alexandra Dent 9/12/22

Review: All That's Left Unsaid — A delicate intertwining of nostalgia and the reality of loss

Lien skilfully crafts a poignant and gripping crime novel, although it feels reductive to refer to it as one.

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Review: My Sweet Guillotine — An enjoyable, easy read, but don’t expect much more than that
Literature Lizzy Kwok 9/7/22 Literature Lizzy Kwok 9/7/22

Review: My Sweet Guillotine — An enjoyable, easy read, but don’t expect much more than that

Jayne Tuttle’s My Sweet Guillotine was an enjoyable, easy read about love and French culture. But don’t expect much more than that.

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UnSteady: The story of the Great Australian Novel that never was
Literature Grace Lagan 8/21/22 Literature Grace Lagan 8/21/22

UnSteady: The story of the Great Australian Novel that never was

Christina Stead, novelist, Marxist, and Sydneysider, has been allowed to fade into partial canonical obscurity, in part due to failures to Americanise her unequivocally Australian work.

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PULP is published on the sovereign land of the Gadigal People of the Eora Nation. We pay our respects to Elders past and present, as well as Indigenous members of our creative community. We respect the knowledge and customs that traditional Elders and Aboriginal people have passed down from generation to generation. We acknowledge the historical and continued violence and dispossession against First Nations peoples. Australia’s many institutions, including the University itself, are founded on this very same violence and dispossession. As editors, we will always stand in solidarity with First Nations efforts towards decolonisation and that solidarity will be reflected in the substance and practice of this magazine.

Sovereignty was never ceded. Always was and always will be Aboriginal land.

Copyright PULP 2025